<inputs>
Use the attached PHYLLA video as the primary reference. Inspect its compositions, typography, scene changes, motion, and audio before building.
Ask me for any available original image assets, PHYLLA logo, brand fonts, Higgsfield/Katana branding, and soundtrack. Ask only for information that cannot be recovered from the reference.
If I skip anything, use these defaults:
Brand: PHYLLA.
Product descriptor: “NEW LANGUAGE MODEL”.
Ending tagline: “Generative intelligence”.
Duration: 30 seconds.
Frame rate: 24 fps.
Main film: 1920 × 1080.
Showcase version: 2560 × 1536.
Typography: a bold grotesk sans serif paired with a high-contrast italic serif.
Imagery: botanical macro photography, translucent biological forms, pastel sculptural objects, intimate human portraits, and procedural scientific graphics.
Use original assets where available. Otherwise, create suitable still-image replacements that match the reference’s composition, materials, and palette. Keep photographic assets separate from procedural graphics in the project.
</inputs>
<direction>
Create a complete launch film for PHYLLA using Higgsfield Katana and Claude Motion.
The story: a word behaves like a seed. A person supplies it, intelligence responds, and an entire world grows from that small beginning.
The visual language combines luxury beauty editorial, microscopic nature photography, and precise computational graphics. It should feel tactile, intimate, and carefully art-directed.
Alternate between near-black and warm ivory backgrounds. Use soft pink, peach, pale mint, and muted green throughout. Reserve saturated blue, violet, and orange for brief contrast moments.
Starting palette:
Near-black: #080A09.
Charcoal: #141615.
Ivory: #F4EBDD.
Warm white: #EFEFEF.
Pink: #E8A5C7.
Peach: #F0BC9F.
Mint: #BCDCCE.
Muted green: #779B83.
Higgsfield lime: #D1FF17.
Keep lime mostly in branding, selection outlines, and small interface accents.
Use extreme changes in scale: a tiny seed surrounded by black, a frame-filling cell, a close-up of an eye, then an endless field of flowers. Connect these images through repeated circles, spirals, branching structures, and clusters.
Materials matter. Show moist soil, fine plant fibers, translucent membranes, matte seed shells, natural skin, and softly shaded spheres. Preserve texture. Avoid making everything glossy.
Use bold sans serif for the main sentence and italic serif for the emotional or organic word:
“Everything alive starts small.”
“A seed.”
“A cell.”
“A word.”
“You bring the seed.”
“It grows toward you.”
“Word by word.”
“Plant a word.”
“Watch a world grow.”
Emphasize small, seed, cell, word, you, and world with the italic face where shown in the reference. Use pink italic against black and dark lettering against ivory.
Keep mixed-font baselines and spacing clean. Type should feel designed as part of the composition.
Pacing: begin quietly, build into a quick growth montage, open into larger worlds, then finish with a calm human moment and a clear brand reveal.
Use hard cuts, match cuts, panel expansion, short masked reveals, and controlled camera movement. Do not force the film into a continuous morph.
Avoid generic glitch effects, constant zooming, excessive bloom, elastic text, random interface decoration, and identical movement on every image.
</direction>
<structure>
Build seven chapters on one 720-frame timeline. The timings below are reconstruction targets; refine individual cuts against the reference while keeping the chapter boundaries.
ONE WORD / 0:00–0:04 / frames 0–95
Begin on near-black.
Place a small macro photograph of a pale peach seed in dark soil below and left of center. Give it a thin bounding box, tiny corner handles, a faint elliptical guide, and a small coordinate-style label.
Place “One word.” to its right in bold warm-white text. Leave substantial negative space.
Move toward the seed until its shell, opening, and surrounding soil become prominent. Briefly pair the natural image with a pink point-based reconstruction of the same subject.
During the second half of the chapter, cut through delicate roots, a curled fern, and a pale flowering branch against black.
Show:
“Everything alive
starts small.”
Make small pink and italic. Keep the sentence readable while the imagery changes. Use the recurring branching shapes to connect the cuts.
SMALL BEGINNINGS / 0:04–0:08 / frames 96–191
0:04–approximately 0:04.8:
Cut to ivory. Show a smooth pink-and-peach seed object resting on a softly lit surface. Its two shell-like halves separate slightly to reveal the interior.
Use a soft contact shadow and restrained camera movement. Place “A seed.” large toward the upper-left.
Approximately 0:04.8–0:05.8:
Show a translucent green cell containing soft green clusters and small orange inclusions. Begin with one large cell, then divide the composition into four cells in a precise 2 × 2 arrangement.
Change the text to “A cell.” Add a faint crosshair and a small pink dot diagram.
Approximately…
